![]() I write, modify and then store ableton live curves and send via IAC Driver to Modul8. Using only 1 footage (made with cinema 4D). Rucyl points at an example of that in Marcelo Vidal’s setup, by way of inter-app MIDI on the Mac and Modul8 : The other approach, of course, and the one I think we see most often, is simply to run MIDI messages (or OSC, if you like, via Max for Live) directly into the visual app. There’s still a lot of scope for improvement but i’m releasing this in the hope that some prophesied person, a great max ninja, will download these plugins and make them amazinger. so i swapped out all the non-MIDI automatable parts and shoehorned some plugins together. I’ve been wanting to run video plugins since before Max for Live came into existence and Max/MSPs VIZZIE VJ modules seemed perfect as Ableton plugins. Robert interestingly hopes that you’ll make his work better: Now, developer Robert Jarvis has taken those modules and adapted them to Max for Live, the environment by which Max patches can be operated within Ableton Live. It’s a collection of free modular tools designed to make rigging up live visual performances in Max/MSP/Jitter’s patching environment faster an easier – nothing we haven’t seen before, but a nice-looking set of “macros” nonetheless. In doing so, she shines light on a promising new tool, seen in the video at top. Using Ableton as a VJ Application / Modul8 + Live Video Sequencer Our friend Rucyl of the wonderful Saturn Never Sleeps, performance collective cum label and home to general goodness, shares some of her notes as she ponders the question of fusing Ableton music sets with live visuals: So it stands to reason that Ableton Live, the ubiquitous live laptop music performance tool, would inspire interest in similar techniques for triggering visuals. Sound or pixel, everything is a number to the computer. ![]() ![]() Electronic music is a gateway drug to electronic visuals for many the computer artist. ![]()
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